![]() ![]() In an interview with MTV, when asked about why he’s opted to return to the Cool Tape series, he spoke about feeling like he’d almost abandoned the artist he used to be in favour of fleshing out his Syre and Erys characters and the sunset drenched world they occupy. He may have had a long way to go but I was excited by his potential. Back then his songs lacked the mainstream sheen that shimmers across SYRE and ERYS and despite the fact he now sounds a lot more convincing, he seemed much more interesting when he wasn’t doing his best to ape prevailing trends. Song’s like “Fire”, “Symba” and “Keep Ya Love” may have felt rough around the edges and been marked by his adolescent voice and refusal to curse but they also felt like Jaden was reaching for something unique. I’ve been aware of the fact Jaden makes music since 2012’s The Cool Cafe: Cool Tape Vol 1 and been a fan of said music since its 2014 follow up, CTV2. That one line in “A Calabasas Freestyle” about a pregnant dragon was the last straw. It’s not that any of the music has been particularly egregious, songs like “The Passion”, “Icon”, “Watch Me” and plenty more sound nice enough but his style has felt so derivative and at times unfocused that I’d largely stopped caring about his output by the time ERYS came around. There’s a fine line between wearing influences on your sleeve and imitation and since the release of 2017’s SYRE it's felt like Jaden has leaned more towards the latter. But still, I don’t feel that I know who he is as an artist. ![]() He likes Brockhampton, Kanye West, Kid Cudi and his official studio albums have been blatantly indebted to Travis Scott. I’m confident I can say which musicians he does like and takes cues from though. To be perfectly honest, for a while now I’ve not been sure I knew who Jaden Smith was as an artist and I’m not entirely convinced that he knows either. I haven’t been this obsessed with a Jaden song in a long time. ![]()
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